- What is Wrong With Indian Films
Q 1. Satyajit Ray is the writer of –
(a) What is wrong with Indian films
(b) What is wrong with Indian Festivals
(c) What is wrong with Indian Foods
(d) What is wrong with Indian Books
Indian films
Q 2. As per the essay ‘What is wrong with Indian Films’ the majority of our films are replete with –
(a) Very good message
(b) Visual dissonances
(c) Visual imbalances
(d) Very exciting scenes
Q 3. Thr first feature film in India was produced in –
(a) 1907
(b) 1909
(c) 1913
(d) 1915
Q 4. The essay ‘What is with Indian Films’ is taken from …….
(a) Pather Panchali
(b) Shatranj ke khilari
(c) Our Films, Their Films
(d) Films for Youth
Q 5. According to the essay ”What is Wrong with Indian Films’, which of the following statemengs is false ?
(a) Music
(b) Dance
(c) Cinema
(d) Painting
Q 6. According to the essay ‘What is wrong with Indian Films’ which of the following statements is false ?
(a) The Indian music is largely improvisational
(b) The Film production in India is quantitatively second only to Hollywood.
(c) The cinema commands the respect accorded to any other form of creative expression
(d) The cinema does not combine the cold logic of science.
combine the cold logic of science.
Q 7. Satyajit Ray was a well known
(a) actor
(b) film director
(c) singer
(d) artist
Q 8. The first short folm in India was produed in
(a) 1913
(b) 1907
(c) 1910
(d) 1915
Q 9. In “What is wrong with Indian Films with …. . films ––
(a) Korean
(b) Japanese
(c) Western
(d) Pakistani
Q 10. Same commands the respect accorded to any other form of creative expression?
(a) Cinema
(b) Music
(c) Sports
(d) Literature
Q 11. Indians have shown the power to make …. . changes and of becoming used to new situations––
(a) big
(b) little
(c) monstrous
(d) gigantic
Q 12. An Indian film should steer clear of
(a) ambiguity
(b) inconsistencies
(c) controversies
(d) music
Q 13. If the Indian film makers keep their …. open, they are sure to make good films.
(a) windows
(b) eyes
(c) mouths
(d) doors
Q 14. The Indian Films imitate stories mostly from
(a) Tollywood
(b) Hollywood
(c) Bollywood
(d) Kolywood
Q 15. The raw material of cinema is …… itself.
(a) life
(b) hall
(c) studio
(d) camera
Q 16. Indian cinema, according to Satyajit Ray, does not need much
(a) action
(b) gloss
(c) music
(d) story
Q 17. No Indian cinema can be …… on all counts.
(a) acclaimed
(b) applauded
(c) demeaned
(d) criticised
Q 18. …… has been one of the most singificant developments of our most significant developments of our times.
(a) painting
(b) competition
(c) agriculture
(d) cinema
Q 19. The cinema also combines the cold …. . of scince.
(a) art
(b) logic
(c) technology
(d) experiments
Q 20. ……. University conferred an. honorary doctorate on Satyajit Ray.
(a) Cambridge
(b) Oxford
(c) California
(d) Munbai